El Noy de la Mare (Llobet, Miguel) El Noy de la Mare. Alternative. Title, Cançó popular catalana. Composer, Llobet, Miguel. I-Catalogue NumberI-Cat. No. El Noi de la Mare (The Child of the Mother) is a traditional Catalan Christmas song. The song was made famous outside Spain by Andrés Segovia who used to perform Miguel Llobet’s guitar. Classical guitar masterclass El Noi de la Mare, by Miguel Llobet, taught by Guitarist Renato Bellucci using high definition videos and scores.
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You should also drop your elbow and pull your arm closer to your torso when switching from the Bm.
I’ve made very few edits to the music, none of any significance. Either your hand can make the stretch or it can’t. The left hand fingering for measures 14 and 16 could be changed to use strings 2—4 in place of 1—3.
That may facilitate getting both your left and right hands in position to the play the final harmonic. Place your right hand index finger on the string above the fret and simultaneously pluck the string with your thumb, lifting your hand in time to avoid muting the string.
El Noi de la Mare – Wikipedia
Although in principle a simple piece, El Noi de la Mare features some difficult left hand fingering, causing me to rate it of medium difficulty. I’ve listed a suggested tempo. Then move your remaining fingers into place. I recommend you avoid such shortcuts. That’s simply how I tend to play that transition. Despite not continuing to sound, a sense of the B remains, giving the following minor third interval the feel of a complete E minor chord. The trick is to lift finger 1, allowing 2 and 3 to move and then place finger 1 back down on the second fret of the 3rd string.
Also, without the G, the chord is a Bm7sus. The inverted A major isn’t as hard as it seems.
El Noi de la Mare—arranged by Miguel Llobet
Stop the first string at the 5th fret and play the harmonic on the 17th fret with your right hand. If you omit the third, is it really a G chord of any sort? Finally, I added a final measure with a soft chord reprising the original final chord in a different voicing.
As soon as you switch from the Bm to the minor third interval, point finger 1 roughly perpendicular to the neck of the guitar.
I’ve added a rallentando and a fermata in the penultimate measure. I don’t really have any suggestions about the G major in measures 11 and It’s likely most guitarists would play it that way without thinking about it, so I notated it explicitly.
You may ignore the slide in measure 3. Keep finger 4 in place on the immediately preceding A which will form part of the chord.
The original doesn’t list a tempo.
The music allows a lot of room for interpretation, from choice of tempo to tone production. The arrangement uses a dropped-D tuning and consists of three voices.
El Noy de la Mare (Llobet, Miguel)
You could even play one measure one way and the other measure another way. This creates the room you need to move fingers 2 and 3 into position 4 stays in place while bending finger 1 onto the third string. Finally, you may choose to play the penultimate harmonic the A played on the fourth string on the 19th fret with the right hand only. It’s really just a matter of taste. The final harmonic is an artificial harmonic. El Noi de la Mare is a Catalan folk song, both a lullaby and a Christmas song.
In measure 7, you may be tempted to leave out the B in the Gmaj9omit5 to make it easier to play. You may ignore this as well. Finger 4 stays in place and, despite lifting, finger 1 doesn’t move to a new note; so you’re really only changing the position of fingers 2 and 3. If you persevere to the point you can play the one or two hard parts at tempo, you will find your overall playing has improved. Ditching the B destroys the harmonic link to the beginning of the measure.
Don’t tense it, just make sure it isn’t overly curled. If you disagree, ignore the change. You shouldn’t do that for a couple of reasons. If your nare is physically large enough, but you can’t do it, then you need only practice a little bit every day until you can do it. A bass migyel and the mid-range of the chords provide the rhythm section while the high strings provide the main melody. Different textures result from arpeggiating or plucking the chords as well as playing near the bridge or near the fretboard.
Removing his carefully chosen notes invariably degrades his music. It is one of Miguel Llobet’s best known arrangements of Catalan migul songs. Instead of taking a shortcut, the trick to playing the Gmaj9omit5 without losing a beat lies in the preceding chords.
El Noy de la Mare (Llobet, Miguel) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music
El Noi de la Mare—arranged by Miguel Llobet. Llobet was quite expert at harmony, orchestrating each string as a separate instrument.
If your hand is not physically large enough for miugel guitar you own, you will need a smaller guitar. The chord is already missing a fifth.
The measure starts with a B minor, but the B bass note cannot be sustained. The parts presenting the most difficulty to players are the nok A major chord in measure 3, the Gmaj9omit5 in measure 7, and the stretch required for the G major in measures 11 and Even famous professional guitar players will simplify some of the fingerings by omitting or replacing notes.
I have not provided right hand fingering because it’s pretty straightforward.