Francisco Colasanto is on Facebook. Join Facebook to connect with Francisco Colasanto and others you may know. Facebook gives people the power to share. Giga-Hertz Award & Walter Fink Prize. Award Ceremony. Projects. Red plaque with “Giga-Hertz-Award” in white letters · Giga-Hertz Award. Francisco Colasanto. Buenos Aires (Argentina), Composer. Francisco Colasanto. Complete List of WorksComplete List of Albums.
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Sign in to reply. Sep 27 8: The same happens in Mexico, we currently organize regular courses at CMMAS, and there are always many people interested in them. Did franclsco learn from the English tutorials that ship with Max or was there something in Spanish that you were able to access?
Of course I used the tutorials in English.
Did you feel that it was important to provide a solid foundation of message-based patching before delving into signal-processing? Artists working with Max are able to present their job there as well as at “Visiones sonoras”, our international music and new technologies festival that takes place every year in November.
There was no Max literature into Spanish, and in fact I think my book is actually the first Spanish book on this topic. Did you feel in writing this that there was a strong demand for such a text? Buy Max 8 Now.
After following all the projects proposed and when you finish the book, you should be ready to create complex and useful patches for the development of an interactive project. How were you introduced to Max?
Francisco Colasanto — electrocd — The Electroacoustic Music Store
Where are you from? Could you put a link back to us? But this kind of phrases teaches us the structure of a language and how to build it. However, there is also not enough literature into English.
At that time I was working in a small electroacoustic music laboratory in Buenos Aires. What can someone expect to learn from reading this book? I’ve already begun to write it. Are you planning to write other books on Max?
I’ve dictated several Max courses in Argentina, and all of them were always very crowded. Try Max free for 30 days. I started working with Max in I think the same happens when you learn Max.
Although my book about Max took almost 3 years of my life, I’m composing music for colasajto media when I’m not writing. My intention was franxisco to write a book that could be used by anyone wanting to get started with this, so the first chapter introduces the first concepts of Max and its interface.
The first thing I did was to migrate all my orchestras from CSound to Max.
You usually don’t learn German by reading Goethe or Italian reading Dante; instead, you start with simple phrases, sometimes a bit dumb, and usually without a specific daily use. There are many artists currently working with interactive techniques and many others interested in getting started.
An Interview with Francisco Colasanto
You can learn how to write in Max as you learn to speak another language. I love exploring the interaction between acoustic instruments and electronics. Published September 28, We’ve linked to you on BlogInterviewer. In this interview, we get a chance to catch up with Francisco and learn more about his in-depth book as well as his work at CMMAS in Mexico and elsewhere.
Who is this book for? Manual authorization, support cases, and manual order processing will be delayed.
How would you describe the teaching methodology used here? An Interview with Francisco Colasanto.
That’s why I think is critical to provide a solid base of the message-based patching before delving into signal-processing. In my opinion, there’s a strong demand in Latin America. In your perspective, where is the most exciting stuff happening right now in the Spanish-speaking world?
An Interview with Francisco Colasanto — Cycling We’ve seen some really phenomenal technology-based work and New Media institutions popping up in Latin America in recent years, but North Americans are largely unaware of these developments. Nov 27 4: To do this, each new object comes with a sample patch using only the studied object and the objects that had been reviewed at the moment, so the student is able to confirm several times how these objects work in different situations.
Muchas gracias un saludo. I can remember myself spending many hours a day studying Max, and I did so for 5 years of my life. As far as I know, there is no any other version in Spanish.
The second will be entirely related to signal processes, i. I realized that I could create visual program routines using interconnected boxes. We can also include Brazil, as Brazilian Portuguese fgancisco close to Spanish, and many people will be able to read the book there. I also wanted to provide some literature on the subject that could be used by Max teachers in Latin America.